{"id":1008,"date":"2014-06-14T13:49:47","date_gmt":"2014-06-14T11:49:47","guid":{"rendered":"http:\/\/edition-fluxtendu.fr\/?p=1008"},"modified":"2014-06-14T13:49:47","modified_gmt":"2014-06-14T11:49:47","slug":"lentre-deux","status":"publish","type":"post","link":"https:\/\/edition-ft.jpbos.fr\/index.php\/2014\/06\/14\/lentre-deux\/","title":{"rendered":"L’entre-deux"},"content":{"rendered":"

[vc_row][vc_column width=”1\/2″ css=”.vc_custom_1494495457677{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 0px !important;border-left-width: 1px !important;border-left-color: #9e9e9e !important;border-left-style: solid !important;border-right-color: #9e9e9e !important;border-right-style: solid !important;border-top-color: #9e9e9e !important;border-top-style: solid !important;border-bottom-color: #9e9e9e !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_single_image image=”11231″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http:\/\/www.blurb.fr\/books\/7485209-les-bergerons” css=”.vc_custom_1619603473960{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;border-left-color: #e0e0e0 !important;border-left-style: solid !important;border-right-color: #e0e0e0 !important;border-right-style: solid !important;border-top-color: #e0e0e0 !important;border-top-style: solid !important;border-bottom-color: #e0e0e0 !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1494485453335{margin-top: 0px !important;}”][vc_column_text]<\/p>\n

L’ENTRE DEUX<\/a><\/h1>\n

Johanna Quillet<\/p>\n

L\u2019entre-deux est une s\u00e9rie de photographie qui s\u2019arr\u00eatent sur l\u2019affirmation \u00ab je regarde le paysage \u00bb depuis\u00a0l\u2019enfance nous regardons le paysage en silence ou pas. C\u2019est une fa\u00e7on de prendre le monde, de le parcourir, de\u00a0le conna\u00eetre. La m\u00e9moire de chacun devient tr\u00e8s vite une sorte de m\u00e9moire de paysages, remplie d\u2019\u00e9motions.
\nCette s\u00e9rie est une ode \u00e0 la transformation du paysage, au passage du jour \u00e0 la nuit, \u00e0 la diff\u00e9rence et aux\u00a0mouvements, aux infimes d\u00e9tails qui rendent le paysage \u00e0 ce qu\u2019il est, une pure invention de l\u2019homme.
\nC\u2019est aussi pendant un temps \u00eatre \u00e0 la limite de la question photographique et de l\u2019image, s\u2019interroger sur la\u00a0pr\u00e9hension de l\u2019esth\u00e9tique du mouvement et pendant un temps se frotter \u00e0 la membrane infime du temps.<\/p>\n

Format 18 cm x 18 cm,\u00a052 pages
\nImpression\u00a0sur papier standard
\nCouverture souple<\/p>\n

\n

 <\/p><\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column width=”1\/2″][tentered_ibox icon_fontawesome=”fas fa-eye” ibox_title=”Voir la publication” ibox_title_size=”13px” ibox_calign=”” ibox_hover=”1″ ibox_shape=”ibox-plain” ibox_theme=”ibox-light” css=”.vc_custom_1621176616431{background-color: #d6d6d6 !important;}” ibox_title_color_custom=”#6d6d6d” ibox_desc_color_custom=”#757575″ ibox_link=”url:https%3A%2F%2Fwww.blurb.fr%2Fb%2F5611530-l-entre-deux|target:_blank” ibox_icon_color_custom=”#c7a589″][\/vc_column][vc_column width=”1\/2″][tentered_ibox icon_fontawesome=”fas fa-book-open” ibox_icon_color=”accent-color” ibox_title=”Format 18 cm x 18 cm, 52 pages, impression sur papier mat, couverture rigide” ibox_title_size=”12px” ibox_desc_size=”13px” ibox_calign=”” ibox_hover=”” ibox_shape=”ibox-plain” css=”.vc_custom_1619603897252{background-color: #d6d6d6 !important;}” ibox_title_color_custom=”#ffffff” ibox_desc_color_custom=”#000000″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″ css=”.vc_custom_1494495457677{border-top-width: 1px !important;border-right-width: 1px !important;border-bottom-width: 0px !important;border-left-width: 1px !important;border-left-color: #9e9e9e !important;border-left-style: solid !important;border-right-color: #9e9e9e !important;border-right-style: solid !important;border-top-color: #9e9e9e !important;border-top-style: solid !important;border-bottom-color: #9e9e9e !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][vc_single_image image=”11231″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http:\/\/www.blurb.fr\/books\/7485209-les-bergerons” css=”.vc_custom_1619603473960{border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;border-left-color: #e0e0e0 !important;border-left-style: solid !important;border-right-color: #e0e0e0 !important;border-right-style: solid !important;border-top-color: #e0e0e0 !important;border-top-style: solid !important;border-bottom-color: #e0e0e0 !important;border-bottom-style: solid !important;border-radius: 1px !important;}”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1494485453335{margin-top: 0px !important;}”][vc_column_text] L’ENTRE DEUX Johanna Quillet L\u2019entre-deux est une s\u00e9rie de photographie qui s\u2019arr\u00eatent sur l\u2019affirmation \u00ab je regarde le paysage \u00bb depuis\u00a0l\u2019enfance nous regardons le paysage en silence ou pas. C\u2019est une fa\u00e7on de prendre le monde, de le parcourir, de\u00a0le conna\u00eetre. La m\u00e9moire de chacun devient tr\u00e8s vite une sorte de m\u00e9moire de paysages, remplie d\u2019\u00e9motions. Cette s\u00e9rie est une ode \u00e0 la transformation du paysage, au passage du jour \u00e0 la nuit, \u00e0 la diff\u00e9rence et aux\u00a0mouvements, aux infimes d\u00e9tails qui rendent le paysage \u00e0 ce qu\u2019il est, une pure invention de l\u2019homme. C\u2019est aussi pendant un temps \u00eatre \u00e0 la limite de la question photographique et de l\u2019image, s\u2019interroger sur la\u00a0pr\u00e9hension de l\u2019esth\u00e9tique du mouvement et pendant un temps se frotter \u00e0 la membrane infime du temps. Format 18 cm x 18 cm,\u00a052 pages Impression\u00a0sur papier standard Couverture souple   [\/vc_column_text][\/vc_column][\/vc_row][vc_row 0=””][vc_column width=”1\/2″][tentered_ibox icon_fontawesome=”fas fa-eye” ibox_title=”Voir la publication” ibox_title_size=”13px” ibox_calign=”” ibox_hover=”1″ ibox_shape=”ibox-plain” ibox_theme=”ibox-light” css=”.vc_custom_1621176616431{background-color: #d6d6d6 !important;}” ibox_title_color_custom=”#6d6d6d” ibox_desc_color_custom=”#757575″ ibox_link=”url:https%3A%2F%2Fwww.blurb.fr%2Fb%2F5611530-l-entre-deux|target:_blank” ibox_icon_color_custom=”#c7a589″][\/vc_column][vc_column width=”1\/2″][tentered_ibox icon_fontawesome=”fas fa-book-open” ibox_icon_color=”accent-color” ibox_title=”Format 18 cm x 18 cm, 52 pages, impression sur papier mat, couverture rigide” ibox_title_size=”12px” ibox_desc_size=”13px” ibox_calign=”” ibox_hover=”” ibox_shape=”ibox-plain” css=”.vc_custom_1619603897252{background-color: #d6d6d6 !important;}” ibox_title_color_custom=”#ffffff” ibox_desc_color_custom=”#000000″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"author":3,"featured_media":11231,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,21],"tags":[],"class_list":["post-1008","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jq","category-publication"],"_links":{"self":[{"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/posts\/1008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/comments?post=1008"}],"version-history":[{"count":0,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/posts\/1008\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/media\/11231"}],"wp:attachment":[{"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/media?parent=1008"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/categories?post=1008"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edition-ft.jpbos.fr\/index.php\/wp-json\/wp\/v2\/tags?post=1008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}